Fra Angelico (1387-1455) seems to be the most pertinent to the works here because of their extreme simplicity. The Zagreb catalogue brings up the Italian Renaissance painters Fra Angelico and Piero della Francesca. It results in something original because it is tempered by another unexpected historical Italian strain. But Lapuh’s taking over of DeChirico’s metaphysical idiom is indirect. DeChirico’s style is a sort of proto-Surrealism, and it fits the mood of unease that now inhabits the former Yugoslavia very well. He set them in uninhabited cities in which the buildings cast long shadows. In 1917, during World War I, DeChirico began to paint mannequin figures with blank faces, sometimes in togas, to suggest a glorious past. The seated angel, oil on canvas, 1993-1994 These faces are the strongest indication that Lapuh has immersed himself in DeChirico’s metaphysical period. When a regular face occasionally appears, though, it is like an evolutionary leap and therefore startling. Many of the figures in his paintings have faces with abstract grooves in them, and fencing masks come easily to mind. And it is Italy that appears to furnish him with much of his artistic inspiration. Lapuh was born in 1951 in Split, which is on the Dalmatian coast across the Adriatic Sea from Italy.

But though the characters that star in Lapuh’s canvases might look placid, it is soon evident that they are well armored. It is also very quiet painting, which is a disconcerting trait in art made where a notoriously brutal war is ongoing.

It is an art of nuances and subtle modulation. Each person has the pleasure and the challenge of adding up the parts and discovering what Lapuh’s art is about. This is his first exhibition in the United States, and the only available writing on him is a short essay in a catalogue from a Zagreb gallery. “AT Noel Fine Art here viewers become acquainted with a Croatian painter, Zeljko Lapuh, who goes by his last name only. They help to add voice to your writing.Photo Credit: MUO-031899: Željko Lapuh I: fotografijaįrom The New York Times, June 12, 1994, Section 14WC, Interjections can really liven up a sentence. Such examples are Wow!, Ouch!, Hurray!, and Oh no!. Interjection - An interjection is a word that shows strong emotion. Homographs - Homographs are words that may or may not sound alike but have the same spelling but a different meaning.Ĭomplex Sentence - A complex sentence is an independent clause joined by one or more dependent clauses. Homophones - Homophones are words that sound alike but they have different meanings and different spellings.

Some examples are in, out, under, over, after, out, into, up, down, for, and between. Preposition - A preposition is a word that shows position or, direction. Some examples conjunctions are: and, but, or, nor, although, yet, so, either, and also. It tells what kind, how many, or which one.Ĭonjunction - A conjunction is a word that joins words or word groups together. It may stand for a person, place, thing, or idea.Īdjective - An adjective is a word that describes a noun or pronoun. Proper Noun - The pronoun is a word used in place of one or more nouns. Nouns are the subject of a sentence.Ĭommon Noun - A noun that does not name a specific person, place or thing. Noun - A noun is a person, place, thing, or idea. They tell how much, how often, when and where something is done. Verb - A verb is a word that expresses an action or a state of being.Īdverb - An adverb describes how the action is performed.

Monochromist meaning